Behringer MINIFBQ FBQ800 Ultra-Compact 9-Band Graphic Equalizer with FBQ

Description

Ultra-Compact 9-Band Graphic Equalizer with FBQ
If we all lived in a perfect world, there would be no need for audio
equalization. Sound systems would be perfect and would reproduce perfect
signals in all their glorious perfection. Also, everyone in that perfect world
would like the same amount of bass, midrange and high frequency, and there
would be no such thing as feedback. But the world isn’t perfect, is it? Even
the best sound system can benefit from the use of a good EQ–like the FBQ800.
Even the best sound system can benefit from the use of a good EQ. Click to
enlarge.1/4-inch and RCA inputs and outputs. Nine steps of graphic EQ. How
Does it Work? Imagine the frequency range of the sound you hear as a highway,
a very wide one with nine lanes. Each of these “lanes” represents a single
octave of the sonic spectrum. The first four lanes, labeled 63 – 500 (Hz)
contain the really low frequency sound content, mainly bass, bass vocals, and
the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up
the fundamental zone of most musical instruments and the male and female
vocals. 8 k and 16 k cover the frequency range of cymbals, snare drums and
higher pitched percussion instruments. The FBQ800 allows you to control the
flow of audio traffic in each of these nine lanes. When properly applied, EQ
makes it possible to hear all of these frequency ranges equally, thus the term
equalization. Feedback Elimination When a specific frequency, or range of
frequencies, reaches too high a level, feedback occurs–that all-too-familiar
squeal or howl you get when the mic is too close to the speaker. Basically,
feedback happens when there is so much of a particular frequency that it is
picked up by the mic and run through the system again. That’s why feedback
typically gets louder and louder the longer it’s allowed to occur. Needless to
say, this kind of feedback is very undesirable. This is where the FBQ800’s
Feedback Detection System really works its magic. In this ingenious circuitry,
LEDs on the individual faders light up when that frequency band is approaching
the danger zone. All you need do is lower the illuminated slider until the LED
blinks out–voilá, feedback problem solved! What once required a highly
trained ear is now an activity that even a child can master. Sonic Toolkit
That really is the best way to describe the FBQ800. With its nine frequency
bands, you easily fine-tune your sound and instantly eliminate feedback. And
each fader can be used to boost or cut the frequency range it controls by as
much as 12 dB (and that’s a lot!). Special attention is paid to the low
frequency zone. In addition to low frequency faders, the FBQ800 features a Low
Cut filter for removing unwanted low frequencies such as fl oor rumble, room
resonance, electrical hum, etc. This is especially handy if your system is
being used for speech rather than music. To Boost or to Cut, That is the
Question Raising and lowering specific frequency bands can improve the
frequency response of any room’s acoustics. For instance, if the room you’re
in is “bass-heavy,” lowering the 63 and 125 Hz faders can help eliminate an
overall “boomy” or “muddy” sound. Likewise, gently boosting the 8 and 16 k
sliders can add sparkle to a somewhat “dark” mix. Are the vocals getting lost
in the mix? Raising the level of the 1 k slider can help bring them out. It’s
important to note that raising a single fader level is not always the best
solution; it’s often better to lower the bands surrounding the frequency you
want to bring out, and then boost the overall volume level to achieve better
headroom. Built for Accuracy and Reliability Speaking of headroom, FBQ800’s
6-digit LED Input/Output meters and level control are provided for precise
level maintenance. Longterm reliability is ensured, thanks to high-quality
illuminated faders and switches, and our ultra low-noise audio operational
amplifiers provide outstanding sonic performance. In addition, all Mini Series
components may be stacked to create an ultracompact signal processing
solution. What’s in the Box Behringer FBQ800 Ultra-Compact 9-Band Graphic
Equalizer, Power Supply, User’s Manual

Features:

• Ultra-compact 9.5" graphic equalizer for studio and stage applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as Audio Analyzer
• Additional Low-cut filter removes unwanted frequencies, e. g. floor rumble
• Accurate 6-segment LED input/output meters and Level control for precise level indication
• High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability

Product Details:

• Brand: Behringer
• Color: Silver
• Body Material: Abalone
• Guitar Pickup Configuration: Combination
• String Material Type: Brass
• Hand Orientation: Ambidextrous
• Guitar Bridge System: Adjustable
• Number of Strings: 10
• Product Dimensions: 9.57"L x 4.72"W x 1.89"H
• Item Weight: 1.32 pounds
• Product Dimensions: 9.57 x 4.72 x 1.89 inches
• Item model number: FBQ800
• Is Discontinued By Manufacturer: No
• Date First Available: April 7, 2007
• Body Material: Abalone
• Color Name: Silver
• Guitar Pickup Configuration: Combination
• String Gauge: Custom
• String Material: Brass
• Number of Strings: 10
• Guitar Bridge System: Adjustable
• Color Screen: No